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Lobel Modern, opened in 1998 by Evan Lobel, showcases furniture, lighting, hand-blown glass and art by important designers from the 1940's thru the 1980's. Located in the Four Points section of lower Manhattan.
Lobel Modern
Filtering by Category: ART
"Kiwi" in cast aluminum on wood base, by Richard Myklebust, American 1960's. Myklebust was a talented sculptor. Bio available upon request.
H: 5 inches
W: 10 inches
D: 3 inches
SOLD
Condition: Excellent
Ref: sculpture69
"Rebel Without a Cause (James Dean)" from Ads, screenprint in colors on Lenox Museum Board, the full sheet 38 1/8 x 38 inch, by Andy Warhol 1985 (signed and numbered 92/190) published by Ronald Feldman Fine Arts, Inc., New York (with their and the artist's copyright ink stamps on back). There were 10 impressions in Roman numerals, the edition was 190 and 30 artist's proofs.
Framed:
W: 43 inches
D: 1.5 inches
H: 43 inches
Reference:
Frayda Feldman and Jörg Schellmann 355
An example of this print was one of 10 shown at the Whitney’s exhibition on Andy Warhol last year.
Condition: Excellent
SOLD
ref: print3
Large hand carved “Totem” sculpture in Vermont marble by Naomi Feinberg, American 1960’s.
Naomi Feinberg was a New York based sculptor who worked primarily in stone. She began sculpting in the 1940’s and became affiliated with artist group Studio 725 (NYC) which was a consortium of woman artists working in Union Square NYC.
A relative late comer to the art world, Naomi Feinberg emerged as highly accomplished, multi-faceted artist who juggled architectural coherence with a preoccupation with the human form, to create works that are both experimental and primitive.
Provenance: The personal collection of the artist and then her family after her death. This piece is part of the Lobel Modern's exhibition: Naomi Feinberg: A Woman Sculpting in a Man's World currently on exhibition in our Exhibit Gallery across the hall from our showroom.
W: 5 inches
D: 4 inches
H: 29.5 inches
Condition: Excellent
SOLD
ref: sculpture122
Hand-carved “Flight” sculpture in alabaster marble mounted on a circular wood base by Naomi Feinberg, American 1960’s.
Naomi Feinberg was a New York based sculptor who worked primarily in stone. She began sculpting in the 1940’s and became affiliated with artist group Studio 725 which was a consortium of woman artists working in Union Square NYC. She studied sculpture with Philip Darling, Jose De Creeft, and Lorrie Goulet at the New School, the Museum of Modern Art, the Art Students League, and the School of Visual Arts A relative late comer to the art world, Naomi Feinberg emerged as highly accomplished, multi-faceted artist who juggled architectural coherence with a preoccupation with the human form, to create works that are both experimental and primitive.
Provenance: The personal collection of the artist and then her family after her death. This piece is part of the Lobel Modern's exhibition: Naomi Feinberg: A Woman Sculpting in a Man's World.
W: 16 inches
D: 11 inches
H: 16 inches
Condition: Excellent
SOLD
ref: sculpture127
Hand-carved “Mask” sculpture in pink marble by Naomi Feinberg, American 1970’s.
Naomi Feinberg was a New York based sculptor who worked primarily in stone. She began sculpting in the 1940’s and became affiliated with artist group Studio 725 which was a consortium of woman artists working in Union Square NYC. She studied sculpture with Philip Darling, Jose De Creeft, and Lorrie Goulet at the New School, the Museum of Modern Art, the Art Students League, and the School of Visual Arts A relative late comer to the art world, Naomi Feinberg emerged as highly accomplished, multi-faceted artist who juggled architectural coherence with a preoccupation with the human form, to create works that are both experimental and primitive.
Provenance: The personal collection of the artist and then her family after her death. This piece is part of the Lobel Modern's exhibition: Naomi Feinberg: A Woman Sculpting in a Man's World.
W: 4.5 inches
D: 5 inches
H: 16 inches
Condition: Excellent
SOLD
ref: sculpture124
Large hand-blown glass vase, white with scavo (rough) finish, by Seguso (Murano Italy) for Karl Springer, American 1980's (signed on bottom “KARL SPRINGER”). This form is quite rare. The scale of Springer’s hand-blown glass vases makes them exceptional.
W: 14 inches
D: 9 inches
H: 13 inches
Condition: Excellent
SOLD
ref: glass88
Ceramic wall plaque with 2 male warriors in a boat by Marcello Fantoni, Italy 1950s (signed "Fantoni" on back).
W: 10.5 inches
D: 0.5 inches
H: 9 inches
Condition: Excellent
SOLD
ref: fantoni6
Wall plaque in patinated and engraved bronze and pewter, "Realization", from a series of female nudes, by Philip & Kelvin LaVerne, American 1960's (signed on front bottom right "Philip.Kelvin. LaVerne").
Reference:
”Philip and Kelvin LaVerne Sculpture III” catalog, published in the 1960’s, page 29 shows this plaque on the top right.
W: 10 inches
D: 0.5 inch
H: 10 inches
Condition: Excellent
SOLD
ref: sculpture142
Painting with abstract landscape in gilded plaster frame by Joseph Domareki, American 1953 signed Joseph Domareki on bottom right corner and dated 3-31-53 on verso.
Biography:
From New Jersey, Joseph Domareki studied at Newark State College, earning a BA degree in 1937. He served in World War II in the Navy in the Pacific, and also was a combat artist covering campaings in the Gilbert, Caroline, and Marshall Islands.
After the war, he earned an MA from the University of Iowa in 1947. He became Chair of the Art Department in 1964 of the School District of South Orange and Maplewood, New Jersey.
He was President of the Audubon Artists from 1964 to 1968 and was a member of the National Society of Painters and Sculptors and the National Society of Painters in Casein.
He had commissions for numerous hammered lead relief murals, most of them in New Jersey. He also did multi-media painting.
W: 43 inches
D: 2 inches
H: 33 inches
Condition: Excellent
SOLD
ref: painting143
Wall mounted sculpture in stainless steel with welded sculpted brass and inset coral by Jacques Duval-Brasseur, France 1974 (signed and dated on bottom right). Comes with a copy of the original certificate of authenticity from the artist dated 1975.
W: 47 inches
D: 6.5 inches
H: 35.5 inches
Condition: Excellent
SOLD
ref: sculpture112
Artisan candelabrum for 2 candles in brass with mounted exotic onyx center by Jacques Duval-Brasseur, France 1970's (signed by artist and numbered 3/4). Jacques Duval-Brasseur was a sculptor who incorporated luxurious exotic materials into his creations.
W: 18 inches
D: 8 inches
H: 18.5 inches (without candles)
SOLD
Condition: Excellent
Ref: candelabrum4
"Lady on Red with Floating Vase" by Peter Max, signed and numbered edition of 300, published by Hanson Art Galleries, CA and printed by Karl & Gail, NY, 1988.
W: 39 inches
D: 1.5 inches
H: 29 inches
Condition: Excellent
SOLD
ref: painting144
Abstract painting "Olympus" in patinated and engraved bronze and pewter with enamel cloisonne with original incorporated picture light by Philip & Kelvin LaVerne, American 1970 (signed on front “Philip Kelvin LaVerne”). Engraved paintings by the LaVernes are important artworks by the artists.
Reference:
ALCHEMY: THE ART OF PHILIP AND KELVIN LAVERNE written by Evan Lobel with Kelvin LaVerne, published by Pointed Leaf Press in 2024, this work is shown on page 261 in the section titled THE PAINTINGS. The caption reads, “OLYMPUS, an abstract painting in patinated and engraved bronze and pewter with enamel cloisonne with an incorporated light, was created in 1970.”
W: 31.5 inches
D: 7.5 inches
H: 38.5 inches
Condition: Excellent
SOLD
ref: painting154
Pair of Sheep Benches in cast aluminum with white Mongolian lamb fur by David Barrett, American 1970's. These benches are super chic. The fur has been replaced with new fur. A great design.
Provenance:
A residence in New Jersey decorated by David Barrett in the 1970's
Each:
W: 32 inches
D: 22 inches
H: 22 inches
Seat H: 18 inches
Condition: Excellent
SOLD
Ref: benches41
Hand-thrown sculpture of three men embracing in glazed clay by Helen Beling. American, 1950's (signed on base "HB").
Helen Beling worked in various nonobjective styles, beginning with her early wood carvings, which evoked shrouded medieval German figures. She eventually worked in stone, bronze and steel before developing an amalgam of fiberglass, reinforced resin and bronze powder, which allowed her to create large bronze sculptures that weighed very little.
Her work has been exhibited at the Metropolitan Museum of Art and at the Whitney Museum of American Art and is in the collection of the Hirshhorn Museum in Washington. Several of her sculptures were commissioned by synagogues, including a 26-foot-long ''Exodus'' for Temple Emanu-El in Yonkers, N.Y.
H: 14 inches
W: 9 inches
D: 5 inches
SOLD
Condition: Excellent
Ref: sculpture90
Hand-carved and polished malachite head on custom bronze base with felt underside by Karl Springer, American 1970's.
W: 7 inches
D: 8 inches
H: 13.5 inches
Condition: Excellent
SOLD
ref: sculpture111
Complex hand blown glass vase in lattimo with murrhines and triangular windows each with a yellow rod across designed by Anzolo Fuga for A.V.E.M. Italy ca 1960.
Reference:
Rosa Barovier-Mentasti, Anzolo Fuga, Murano Glass Artist, Acanthus Press 2005, a general description of the "Windows" series is on page 161 and this design is shown on page 164.
Marc Heiremans, AVEM, Arte Vetreria Muranese, Artistic Production 1932-1972, Arnoldsche 2020, this design along with its original drawing no. 14739 are shown on page 124.
Provenance:
Evan Lobel purchased this piece directly from A.V.E.M. in 2001 as part of a large collection of pieces stored there from the 1950’s and 60’s.
Diam: 5.5 inches
H: 17 inches
Condition: Excellent
SOLD
ref: fuga103
Set of hand-blown glass vase and charger from the “Bandiere Series” by Anzolo Fuga for Arte Vetraria Muranese (A.V.E.M.) Murano Italy, 1955.
Reference:
Rosa Barovier-Mentasti, Anzolo Fuga, Murano Glass Artist, Designs for A.V.E.M., Acanthus Press 2005, description of this series on page 29 with examples shown after, these pieces are shown on page 30.
Marc Heiremans, AVEM, Arte Vetreria Muranese, Artistic Production 1932-1972, Arnoldsche 2020, these designs along with their original drawings no. 13470 and 13471 are shown on pages 86-87.
Provenance:
Evan Lobel purchased these pieces directly from A.V.E.M. in 2001 as part of a large collection of pieces stored there from the 1950’s and 60’s.
Dimensions for each:
H: 13 inches
Diam: 19.5 inches
Condition: Excellent
SOLD
Pair of hand-blown glass vases from the “Windows Series” by Anzolo Fuga for Arte Vetraria Muranese (A.V.E.M.) Murano Italy, circa 1960.
Reference:
Rosa Barovier-Mentasti, Anzolo Fuga, Murano Glass Artist, Designs for A.V.E.M., Acanthus Press 2005, these pieces are shown on page 163.
Marc Heiremans, AVEM, Arte Vetreria Muranese, Artistic Production 1932-1972, Arnoldsche 2020, this design along with its original drawing no. 14772 are shown on page 125. A.V.E.M. archive photograph shown on page 229 also shows model no. 14772.
Provenance:
Evan Lobel purchased the piece on the right directly from A.V.E.M. in 2001 as part of a large collection of pieces stored there from the 1950’s and 60’s.
Dimensions for each:
H: 19.5 inches
H: 20 inches
Condition: Excellent
SOLD
Set of hand-blown glass vase and charger with rods and murrine by Anzolo Fuga for Arte Vetraria Muranese (A.V.E.M.) Murano Italy, circa 1955.
Reference:
Rosa Barovier-Mentasti, Anzolo Fuga, Murano Glass Artist, Designs for A.V.E.M., Acanthus Press 2005, these pieces are shown on page 75.
Marc Heiremans, AVEM, Arte Vetreria Muranese, Artistic Production 1932-1972, Arnoldsche 2020, these pieces along with their original drawings no. 13577 and 13578 are shown on pages 102-103.
Provenance:
Evan Lobel purchased these pieces directly from A.V.E.M. in 2001 as part of a large collection of pieces stored there from the 1950’s and 60’s.
Dimensions for each:
H: 13.5 inches
Diam: 16 inches
Condition: Excellent
SOLD
