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Lobel Modern, opened in 1998 by Evan Lobel, showcases furniture, lighting, hand-blown glass and art by important designers from the 1940's thru the 1980's. Located in the Four Points section of lower Manhattan.

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Naomi Feinberg "Dream within a Dream" Sculpture in Italian Marble 1960s - SOLD

Evan Lobel

Feinberg 150 Dream within Dream Ital Marble sculpture119 .jpg

Large hand-carved “Dream within a Dream” sculpture in Italian marble by Naomi Feinberg, American 1960’s.

Naomi Feinberg was a New York based sculptor who worked primarily in stone. She began sculpting in the 1940’s and became affiliated with artist group Studio 725 (NYC) which was a consortium of woman artists working in Union Square NYC.  A relative late comer to the art world, Naomi Feinberg emerged as highly accomplished, multi-faceted artist who juggled architectural coherence with a preoccupation with the human form, to create works that are both experimental and primitive.

Provenance:  The personal collection of the artist and then her family after her death.  This piece is part of the Lobel Modern's exhibition:  Naomi Feinberg:  A Woman Sculpting in a Man's World.

W: 10 inches
D: 8 inches
H: 32 inches

Condition: Excellent

SOLD

ref: sculpture119

 

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Naomi Feinberg "Visitor" Sculpture in Grey Granite 1970s - SOLD

Evan Lobel

Feinberg 75 Visitor Grey Granite sculpture126 .jpg

Hand-carved “Visitor” sculpture in grey granite by Naomi Feinberg, American 1970’s.

Naomi Feinberg was a New York based sculptor who worked primarily in stone. She began sculpting in the 1940’s and became affiliated with artist group Studio 725 which was a consortium of woman artists working in Union Square NYC. She studied sculpture with Philip Darling, Jose De Creeft, and Lorrie Goulet at the New School, the Museum of Modern Art, the Art Students League, and the School of Visual Arts A relative late comer to the art world, Naomi Feinberg emerged as highly accomplished, multi-faceted artist who juggled architectural coherence with a preoccupation with the human form, to create works that are both experimental and primitive.

Provenance:  The personal collection of the artist and then her family after her death.  This piece is part of the Lobel Modern's exhibition:  Naomi Feinberg:  A Woman Sculpting in a Man's World.

W: 12 inches
D: 10 inches
H: 18 inches

Condition: Excellent

SOLD

ref: sculpture126

 

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Tommi Parzinger Original Ink Drawing of Still Life 1940s - SOLD

Eric McNatt

Original ink drawing of still life, fruit in Chinese bowl, by Tommi Parzinger, American 1940's (signed "Parzinger")

H: 17.5 inches
W: 19 inches
D: 1.5 inches

SOLD

Condition:  Excellent

Ref: painting127

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Naomi Feinberg "Tenero" Sculpture in Vermont Marble 1960s - SOLD

Evan Lobel

Feinberg 55 Tenero Vermont Marble sculpture121.jpg

Hand-carved “Tenero” sculpture in Vermont marble mounted on an ebonized wooden pedestal base by Naomi Feinberg, American 1960’s.

Naomi Feinberg was a New York based sculptor who worked primarily in stone. She began sculpting in the 1940’s and became affiliated with artist group Studio 725 which was a consortium of woman artists working in Union Square NYC. She studied sculpture with Philip Darling, Jose De Creeft, and Lorrie Goulet at the New School, the Museum of Modern Art, the Art Students League, and the School of Visual Arts A relative late comer to the art world, Naomi Feinberg emerged as highly accomplished, multi-faceted artist who juggled architectural coherence with a preoccupation with the human form, to create works that are both experimental and primitive.

Provenance:  The personal collection of the artist and then her family after her death.  This piece is part of the Lobel Modern's exhibition:  Naomi Feinberg:  A Woman Sculpting in a Man's World.

W: 4.5 inches
D: 5 inches
H: 21 inches

Condition: Excellent

SOLD

ref: sculpture121

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Venini Rare Set Of 12 Hand-Blown Champagne Coupe Glasses 1960s - SOLD

Evan Lobel

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Rare set of 12 hand-blown champagne coupe glasses, mezza filigrana on top and bottom with gold foil in the stems, attributed to Tapio Wirkkala for Venini, Murano Italy, 1960's. These are extraordinary. There is a matching charger available. They were originally purchased together.

Reference
Venini Catalogue Raisonne 1921-1986 by Anna Venini Diaz de Santillana, published in 2000 by Skira editore, plate 142 shows 2 types of glasses similar to these by Tapio Wirkkala “Filigrane di Tapio” 1972

Diam: 5 inches
H: 7 inches

Condition:  Excellent - no chips or wear

SOLD

Ref: glassware1

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Charles Gesmar Original Jane Pierly Poster 1925 (Signed) - SOLD

Evan Lobel

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Framed large poster of chanteuse Jane Pierly smoking a cigarette in a fur wrap by noted artist Charles Gesmar, printed by H. Chachoin, France 1925 (signed on front). These were done in small editions and this one is considered one of his best and rarest.

Charles Gesmar (born Geismar), simply known as Gesmar, was one of the greatest designers of costumes and posters during the golden age of the Paris music hall during the Jazz Age and was primarily renowned for his work for the great Parisian star Mistinguett. Although his tenure was short, his output was prolific and his creativity and talent unrivaled at the time. Gesmar’s costumes and graphics caused as much excitement at the time as that shown a few years earlier by the elegance of Leon Bakst’s Ballets Russes. The seductive and sophisticated elegance of his art influenced generations of graphic designers and he was indisputably a bridge linking the works by other two great artists who worked for the Moulin Rouge, Toulouse-Lautrec (1864-1901) and René Gruau (1909-2004). Gesmar allegedly died of pneumonia in February 1928, before his 28th birthday.

W: 50 inches
D: 1.5 inches
H: 65.5 inches

SOLD

Condition: Very good - discolorations, marks, impressions, tears on the edges all consistent with age. There is also an impressed signature, as if signed on top of the poster, of Jane Pierly.

ref: poster1

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Artisan Made Hammered Brass Footed Sea Shell 1960s - SOLD

Evan Lobel

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Artisan made hammered brass footed sea shell, Italy 1960's (stamped "Made in Italy" on bottom). The scale and form are beautiful.

W: 24.5 inches
D: 14 inches
H: 11.5 inches

Condition: Excellent

SOLD

ref: accessory184

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Studio Made Lobster Sculpture in Brass and Steer Horn 1970s - SOLD

Evan Lobel

70s 28 scorpion brass+horn sculpture138 main.jpg

Artisan lobster sculpture in brass with authentic steer horn, American 1970's. The brass has a beautiful bronze patina.

W: 16 inches
D: 15 inches
H: 14.5 inches

Condition: Excellent

SOLD

ref: sculpture138

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Pair of Monumental Egrets in Etched Aluminum 1970s - SOLD

Evan Lobel

70s 75 pr egrets alum monumentl sculpture137 main.jpg

Pair of artisan-made monumental egrets in polished etched aluminum, American 1970's. These sculptures have incredible scale and detail.

Dimensions:

Taller:
W: 23 inches
D: 17 inches
H: 83 inches

Smaller:
W: 16 inches
D: 46 inches
H: 51.5 inches

Condition: Excellent

SOLD

ref: sculpture137

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Hand Blown Organic Glass Sculpture 1950s - SOLD

Evan Lobel

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Organic sculpture in hand-blown clear glass, Murano Italy 1950's. This is a graceful form.

W: 12 inches
D: 3.5 inches
H: 10.5 inches
Base Diam: 3 inches

Condition: Excellent

SOLD

ref: sculpture136

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Keith Sonnier Tullos Monumental Drawing on Paper 1996 (signed) - SOLD

Evan Lobel

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Keith Sonnier monumental “Tullos” (Cat Doucet Series), charcoal colored flocking on rag, 1996. Signed with Keith Sonnier initials and year on the drawing, original Leo Castelli galery label on the back that reads ( KS (D-156) Keith Sonnier TULLOS, 1996 charcoal, colored flocking on rag paper 93 1/2 x 631/2 “ ).
Keith Sonnier is a contemporary American artist known for his pioneering light sculptures. Employing materials such as latex, neon, and found objects, Sonnier achieves a drawing-like quality with his sculptures. “I love light in my work but I was never influenced by neon signage in itself, rather its effect on nature and architecture,” he has explained. Born on July 31, 1941 in Mamou, LA, he received his BA from the University of Southwestern Louisiana in 1963, and his MFA from Rutgers University in 1966. It was during his time at Rutgers, that Sonnier fell under the influenced of Robert Morris. By the late 1960s, he along with his peers Bruce Nauman and Dan Flavin, had begun employing neon tube lights in their work. Over the years, he has incorporated materials used by other cultures into sculptural installations. Sonnier currently lives and works between New York, NY and Bridgehampton, NY. Today, his works are held in the collections of the National Gallery of Art in Washington, D.C., The Museum of Modern Art in New York, the Los Angeles County Museum of Art, and the National Gallery of Australia in Canberra, among others.

W: 93.5 inches
D: 3.5 inches
H: 63.5 inches

Condition: Excellent

SOLD

ref: painting147

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Tobias Mohl "Black Net Series" Hand Blown Glass Vase 2005 - SOLD

Evan Lobel

Hand blown glass vase from the "Black Net Series" by Tobias Mohl, Denmark 2005 (signed "Tobias Mohl 05" on bottom)

W: 10.75 inches
D: 2.5 inches
H: 10.25 inches

Condition: Excellent

SOLD

ref:glass 85

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Karl Springer Exceptional Hand Blown Scavo Glass Vase 1980s (signed) - SOLD

Evan Lobel

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Large hand blown amber glass vase with scavo finish by Seguso, Murano Italy, for Karl Springer, American 1980's. Signed on bottom “Karl Springer”.

Diam: 14.5 inches
H: 24.5 inches

Condition: Excellent

SOLD

ref: accessory180

 

 

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Anzolo Fuga "Murrine Incatenate" Vase for A.V.E.M 1960 - SOLD

Evan Lobel

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Hand blown glass vase from the "Murrine Incatante" Series, pale amethyst glass with green and yellow murrhines and red and blue rods, by Anzolo Fuga for A.V.E.M. (Arte Vetraria Muranese), Murano, Italy, 1960.

 Reference:

 Literature: Anzolo Fuga: Murano Glass Artist, Designs for A.V.E.M. by Rosa Barovier-Mentasti, Acanthus Press, a variation on this piece appears on page 151.

Provenance:

Evan Lobel purchased this piece directly from A.V.E.M. in 2001 as part of a large collection of pieces stored there from the 1950’s and 60’s.

Diam: 11 inches
H: 11 inches

Condition: Excellent

SOLD

ref: fuga105

 

 

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Carl Harry Stalhane "Haresfur" Glazed Ceramic Bowl 1960s (signed) - SOLD

Evan Lobel

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Brown “haresfur” glazed ceramic footed bowl by Carl Harry Stålhane for Rörstrand, Sweden, 1960s (signed on bottom "R Sweden" with "CHS").

Diam: 12 inches
H: 3 inches

Condition: Excellent

SOLD

ref: ceramic47

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Seguso Hand-Blown Scavo Glass Vase 1980s (signed) - SOLD

Evan Lobel

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Hand-blown scavo glass vase with applied blue decorative elements by Seguso, Murano Italy 1980's (etched on bottom “Seguso”).

W: 10 inches
D: 4 inches
H: 13 inches

Condition: Excellent

SOLD

ref: glass87

 

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Rose Kuper "The Entertainers" Oil on Canvas 1966 (signed) - SOLD

Evan Lobel

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“The Entertainers”, an abstract expressionist oil on canvas by Rose Kuper, American 1966 (signed and dated on the front and back).

W: 42 inches
D: 2.5 inches
H: 37 inches

 Condition: Excellent

SOLD

ref: painting145

Biography:

Noted for her strong abstract compositions and particular skill with colors, Rose Kuper used many media, ranging from oil paintings, watercolors, etchings, lithographs, collages, monoprints, crayon impressions, ink and others. Her style ranged from realist in the beginning through abstract impressionism. Her most original contribution has been the use of printers' ink on the reverse of glass, culminating in a solo show at the Corning Museum of Glass, New York.

Born October 9, 1888, in Riga Latvia, Rose Kuper moved at the age of six months with her family to London, where she lived until the age of 5, when they came to New York City. She became primarily a New York City artist, belonged to the Manhattan Group, although she also did much painting in Gloucester, Massachusetts. She was active with the Brooklyn Art Association, the Art Students League and the National Association of Women Artists, which she served on the Executive Board from 1951 to 1954. She was also an instructor in the New York public schools and was married to Theodore Kuper. In New York, she earned a B.A. Degree at Hunter College and studied with Abstract Expressionists Hans Hoffmann and Abraham Rattner. Her first teacher was Teresa Bernstein, with whom she studied in 1927. Kuper began as an independent artist with a painting trip to Brittany in 1930, and ended with a retrospective show at the Whittier Museum in October, 1984. In between, she gained representation in the permanent collections of seventeen public institutions: colleges, museums and libraries, and had 18 one-artist exhibitions. Despite the fact that many of her works are abstract, there is always emotional content. She has used the themes of motherhood, moods of the desert, "Huddled Masses", celebration of the carousel, and others. Rose Kuper died in 1987, at the age of 99, in Whittier, California.

She is in permanent collections of: Riverside Museum, New York City Hunter College, New York City Art Museum, San Diego, CA Philbrook Art Center, Tulsa, OK Museum of Art, Dallas, TX Jewish Museum, New York City The Light House for the Blind, Israel Fashion Institute of Technology, New York City Long Island University, L.I. N.Y. Art Museum, Beaufort, So. Carolina City of La Mirada, CA Rio Hondo College, Whittier, CA Fordham University, New York City Palm Springs Desert Museum, Palm Springs, CA Santa Barbara Museum of Art, CA Corning Museum of Glass, Corning, N.Y. St. Louis Public Library, Mo.


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Philip & Kelvin LaVerne Colorful "Repose" Engraved Painting 1960s (signed) - SOLD

Evan Lobel

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Floral still life "Repose" in patinated and engraved bronze and pewter with virbrant enamel cloisonne showing a bonsai tree and vase on a table by Philip & Kelvin LaVerne, American 1960's (signed on front with original label on back).  The LaVernes collaborated on floral still lifes throughout their entire artistic careers.

Reference:
ALCHEMY: THE ART OF PHILIP AND KELVIN LAVERNE written by Evan Lobel with Kelvin LaVerne, published by Pointed Leaf Press in 2024, this engraved painting is shown on page 235 in the section titled The Paintings . The caption reads, “REPOSE dates from the 1960s.”

W: 23 inches
D: 1.5 inches
H: 35 inches

Condition: Excellent

SOLD

ref: sculpture117

 

 

 

 

 

 

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Anzolo Fuga Rare and Important Hand Blown Glass Vase 1956 - SOLD

Evan Lobel

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Important hand-blown glass vase from the "Bands" series with lattimo exterior with red down sides to points and blue interior by Anzolo Fuga for A.V.E.M., 1956. This is a very rare and beautiful piece of Fuga.

Reference:
Rosa Barovier-Mentasti, Anzolo Fuga, Murano Glass Artist, Acanthus Press 2005, a general description of the "Bands"  series is on page 76 and this piece is shown on page 79.

Provenance:
Evan Lobel purchased these pieces directly from A.V.E.M. in 2001 as part of a large collection of pieces stored there from the 1950’s and 60’s.

Condition: Excellent

W: 12 inches
D: 5 inches
H: 20 inches

SOLD

ref: fuga102

 

 

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Anzolo Fuga Hand Blown Vase with Pulled Avventurine Middle 1950s - SOLD

Evan Lobel

_MG_1741.jpg

Hand-blown glass vase model 15271 with lattimo exterior and blue interior with sections of pulled avventurine around middle Anzolo Fuga for Arte Vetraria Muranese (A.V.E.M.), Italy 1950s.

Reference:
AVEM, Arte Vetraria Muranese, Artistic Production 1932-1972 by Marc Heiremans published by Arnoldsche in 2020; there is a drawing of this design on page 340 top right.

W: 7 inches
D: 5 inches
H: 11.5 inches

Condition: Excellent

SOLD

ref: avem21

 

 

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